The bad news is that they do not offer a trial. Many of us spend so much time trying to tweak our images to look like film, and for those that do I highly suggest you take a look at VSCO Film. I can see how this can drastically cut down on processing time. I found a cool write-up of it by pro wedding photographers HERE where you can see some real world examples as well as read how much they love VSCO film.Īs for me, I downloaded them and applied a few filters to a few images to test it out and I like what I see so far. These are the ultimate in speed, simplicity and performance. These film packs are a bit expensive and there are three packs available, 1, 2 and 3. As in, it can save you countless hours doing post processing, especially if you shoot weddings or events and want to give your images a special look and flair. These VSCO FIlm packs are a bit different as it is not really a “plug in” but more of a powerful tool that can apply your favorite film look to ALL of your images during import into Lightroom. I have tried and loved Alien Skin Exposure since the 1st version for its simplicity and power and I have used Silver Efex Pro in the past for B&W conversions but none of them actually really made the images look much like film, just some contrast and grain and special effects. I like the look of number six (second row, far right) – you can see the effect on the main image as soon as you click a button.I recently decided to bite the bullet and actually buy all of the VSCO film packs which can transform your digital files a bit and make them look more film like. I’ve selected ‘Warm’ from the pop-up menu to show a selection of warm film effects. Over in the right sidebar, you’ll see there’s just one panel (also circled), for ‘Film Type’. I’m going to start from scratch by de-selecting all the effects except ‘Film Type’, which I’ve circled in the left sidebar. Not all of the boxes will be checked – it depends on the preset you last used. Alongside each is a checkbox, and if the box is checked, the options for that effect appear in as a section in the tools panel over on the right. The left sidebar now displays all the components that go to make up an Analog Efex Pro effect. These display ready-made presets you can try out with a single click, and I looked at some of these last time, but at the bottom is the Camera Kit option, where you get full control. You’ll see a list of the four main camera types you can emulate. Start by opening the Camera menu at the top left of the the Analog Efex Pro window. I’ll also show you how you can save your effect as a new custom preset. This is the last option on the Camera menu, but also the most powerful, because it enables you to create your own analog effects from scratch. I took a quick tour of the basics in Part 1 of my Analog Efex Pro mini-series yesterday, but this time I’m going to look at the Analog Efex Pro Camera Kit using this thoroughly modern digital image I shot at a car show. It’s a tool for simulating the look of old films and cameras, right down to authentic-looking textures, scratches and light leaks. I rate this as the best set of plug-ins ever made, and practically a must-have for digital image-editing fans. Analog Efex Pro is a brand new addition to the Google Nik Collection, the set of plug-ins for Photoshop, Elements, Lightroom and Aperture that Google took over when it bought out Nik Software.
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